A Day Will Come takes a horrified look at how recent societies (for capitalism is no exception, on the contrary ) reformulate their culture into pragmatism and conformism – neither the new man nor the brand-new man are humanists anymore.
The Sahia studio has a large history of films that were subversively allegorical, a heritage that is always over- or underrated. What’s certain is that Copel Moscu’s film was too much for communist-era censorship. Because the building of the poultry factory in Bacău, which ordered the film, also hosted a kindergarten for the employees’ children, an occasion for the Sahia filmmaker to create a metaphor starting from the similarity in their methods of “productive” rearing. Banned in 1985, when the film bore the title A Day Like Any Other, and released in 1990 as A Day Will Come, the documentary takes a chilling look at the ways in which recent societies (because capitalism is no exception, on the contrary) reshape their cultures in the name of pragmatism and conformism. Neither the New Man, nor the Brand-new Man are humanists anymore. (Călin Boto, BIEFF 2022)