Ioan Pleș, the enfant terrible of the Arad-based kinema ikon collective, creates a sort of artificial Pac-Man set during the climate apocalypse, in the same playful and alert tone that rings throughout his entire output.
Ioan Pleș, the enfant terrible of the Arad-based kinema ikon collective, creates a sort of artificial Pac-Man set during the climate apocalypse, in the same playful and alert tone that rings throughout his entire output. And as whimsical he may be, the filmmaker asks one to reflect: upon the cinematic space, be it endlessly extended through the sketches and scratches that he draws directly onto the film reel, or reduced to its primary materiality, the frame that melts away together with the characters within it. (Călin Boto, BIEFF 2022)