“Nothing can be heard anymore; the roar of our plane absorbs every other sound. We are heading straight to the world’s biggest display of soundproof fireworks, and soon we will drop our bombs.”
Culled from Israeli military propaganda materials from the ‘60s and ‘70s, Paradiso, XXI, 108 regards (with irony) towards a “cinematic self-portrait of men playing war”, to quote its author. Kamal Aljafari works here with a network of intertextual quotations – Sebald, Borges, Alighieri, themselves also “found” by the author – to create a conceptual counterpoint to the (fictional – what we see are exercises) images on the screen: “was then Your image like the image I see now?” (Dante). Like in Unusual Summer (2020), the filmmaker uses extradiegetic sound as a means of fictionalization (Silent Night, Handel’s Sarabande), proving his position as one of the most important found footage filmmakers of the moment. (Flavia Dima)
Kamal Aljafari is a Palestinian filmmaker. He attended the Academy of Media Arts in Cologne and now lives in Berlin. He has taught filmmaking at The New School in New York and the Deutsche Film- und Fernsehakademie Berlin. He was also a Film Study Center Radcliffe Fellow at Harvard University. In 2021 Olhar de Cinema – Curitiba International Film Festival in Brazil devoted its Focus Section to his work. Most recent work, Paradiso, XXXI, 108, premiered at Corti d’Autore, in Locarno Film Festival 2022. He is currently completing A Fidai Film, and preparing a fiction film to be shot in Jaffa.