A furious and lyrical hybrid animation that scans through a history of art: man-made paintings of women looking at themselves in mirrors, as to blame them for “being vain”. Tired of being an instrument of the male gaze, the mirror steps outside dogma.
There is something incredibly satisfying about the 3D revenge that Thea Lazăr brought to a two-dimensional history. Mirrors, the filmmaker fast-forwardly shows, have a long history of being an incidental accessory in paintings with female subjects – an indiscreet hint of frivolity and vanity. Only this time, the idea won’t remain a dead letter, but come to life as tableau vivant: an animated mirror detaches from a painting and, with the prose of Tai Shani and the poetry of Sylvia Plath acting as a voice-over, seeks a new consciousness. (Călin Boto)
Thea Lazăr (b. 1993) lives and works in Cluj-Napoca. She graduated from the University of Art and Design in the same city and studied with a scholarship at the Academy of Art in Szczecin, Poland. Her practice is mainly digital but meant to live offline, in installations that have come to include textiles and plants. Her plants are telling larger stories about the environment, the planet and socio-political situations through local or untold tales. Since 2016 she’s been a member of the Aici Acolo collective – an artist run project focused on promoting young and emerging artists by organizing exhibitions in unused or abandoned spaces in Cluj-Napoca.